Moody, Minimalist Landscape Painting

Art and Life in the Time of Coronavirus, May 12.

May 9: I  had thought to leave off posting until I complete my 6’x8′ commission and finish the blog description of the process, but find that I miss the diary.

Snow last night and today, actually quite dark and blizzardy at intervals this afternoon, alternating with sun flurries. It seems almost cruel that our spring is so delayed, when we crave the comfort of warm sunshine and a softer outdoor experience. For me, key to that is our screened-in back porch, my warm-season living room. A day in which I can have my siding door open to the porch and take my meals and do my online work out there is a good day .

But, while cringing on behalf of my snowy flowers and leafed-out plantings today, it popped into my mind that this weather might have its uses in slowing the spread of the virus. Warm days have brought with them prematurely reckless behavior. So maybe this prolonged chill will allow the curve to turn from its current level to downward, and save a few lives.

The news is not good at all and makes me despair about human idiocy, American and otherwise. So I unashamedly grasp at straws.

May 10th:

On this Mother’s Day, the first without our mom, I am fortunate to be doing the things that I have always chosen on this spring day in which I feel free to pamper myself. Sometimes the weather has been 45 and rainy and put a damper on my busy-in-the-yard plans, and yesterday’s snow would have been the kicker…but today we have partly sunny and in the 5os.

Ordinarily, I would have gone to Oneonta with my sister Carla yesterday, the Saturday before Mother’s Day, to have lunch and a nursery visit for hanging pots and annuals with our mom. I always brought flowers from my yard on every visit from April through October.

 

Mother’s Day bouquet from 2019, in the front seat of my car.

 

And later in the season, another.

When we finally scatter her ashes in multiple places, I hope it is during the growing season so that I can include some flowers.

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The crumbling world around us cries out for help…socorro, socorro! I can only think in small, manageable bits about it, or it threatens hopelessness that sabotages action. So, to begin somewhere, I created a fundraiser last week in collaboration with Albert Shahinian Fine Art. I  offered to give a small collage from the eleven left at the gallery after an environmental fundraiser last fall to anyone who sent me a receipt for a donation of at least $40 to a food bank of their choosing. They all were spoken for very quickly and we raised about $500. Albert sent them all out a few days ago from the gallery.

Just a start. I’ll be thinking of more, and ASFA is on board for more collaborating. I do like to use my art to raise money because it is my ready resource that folks value. These little pieces went mostly to prior collectors and a few to a student or mentee not in a position to buy a market-priced piece. I used only social media so for the next thing could readily access my best outreach resource, which is my mailing list.

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I am also involved in a fundraiser for the Island Food Bank on Martha’s Vineyard through my gallery there, the Louisa Gould Gallery. Her shows this spring and summer are an opt-in for gallery artists to join her in donating 10% of sales for food security, with every dollar raised going for $7 worth of food.

We just made a nice sale of these two pieces, accomplished through shipping, as the gallery has not yet reopened.

 

Chillmark View, 40″x40″, 2019.

 

Summer Inlet, 48″x24″, 2019.

Here is a link to the current online show of new work at the gallery:

https://www.louisagould.com/exhibitions/2241/1/BENEFIT_Art_Show_for_Food_Pantry.html

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My big studio project continues to be the 6’x8′ commissioned version of this 30″x40″. I am creating an in-depth description of the process for an upcoming blog post.

 

Largest “study” I have ever done—and in fact, a fully realized smaller version of the large piece.

 

Stay healthy, y’all, and let’s keep each other safe!

 

 

 

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